Orpheus Musicus
Dates21 December 2024
Timetable: 19:00
Aimed at: All audiences
PlaceFCAYC Auditorium
Sergio Suárez, violin
Irene Martínez, violin
Miguel Minguillón, theorbo, archlute and baroque guitar
#publicprogrammes #soundandlistening
ACCESS:
(You must present your invitation. (On Monday before the performance, at 10:00, we will enable here the option to get it easily and free of charge. If you have any questions, don't hesitate to get in touch with us. contact with the Foundation. Thank you for your understanding).
Orpheus Musicus dedicates this programme to 17th century Italian instrumental music. We look at this repertoire to account for the historical moment when instruments became independent of voices, when compositions began to be written expressly for instruments. In the case of this programme, it represents a new paradigm for violins, after having been exclusively dedicated to accompanying voices in Renaissance polyphony. With the arrival of accompanied monody and the Baroque, a new universe of pieces written for the violin arose, taking advantage of its gestures and the instrument's own ways of transmitting the affections of the music.
Orpheus Musicus, founded by violinist Sergio Suárez in 2019, dedicated to the performance of 17th and 18th century repertoire on original instruments, presents its first album in 2022. Musica Scotica, dedicated to the baroque music of the British Isles.
PROGRAMME
MARCO UCCELLINI (c. 1610-1680)
Aria Sesta sopra un balletto à 3
Aria Quarta sopra la Ciaccona à 3
BIAGIO MARINI (1594-1663)
Sonata sopra Fuggi dolente core
Sonata Terza variata for the violin
ANDREA FALCONIERI (1585-1656)
Tiple a 3. Passacalle
1. ANTONIO PANDOLFI MEALLI (c. 1629-c. 1679)
Il Marquetta, passacaglio a 2 violini
GIOVANNI LEGRENZI (1626-1690)
La Frangipana, 18 sonatas op. 2
DARIO CASTELLO (c. 1590-c. 1630)
Sonata Quarta
NICOLA MATTEIS (c. 1650-c. 1714)
Broken Passaggio
ANDREA FALCONIERI (1585-1656)
Folías made for my Lady Doña Tarolilla de Carallenos
MARCO UCCELLINI (c. 1610-1680)
La Bergamasca
