Rebecca Lane is a musician who explores intonation, focusing on extended just intonation & alternative tuning systems and the perceptual & relational aspects of sounding/activating this acoustic phenomenon with others. Her practice is informed by ongoing relationships and collaborations with composer-performers (such as Catherine Lamb & Clara de Asís) and within various duos and ensembles (eg. Sam Dunscombe, Harmonic Space Orchestra), utilizing various flutes (in particular, Kingma System quartertone flutes). She co-initiated the Harmonic Space Orchestra, a research-performance collective exploring rational tuning/extended just intonation practices, and co-curates the Vibrant Matter sound series with Heather Frasch. Recent releases include Horatiu Radulescu’s op. 42, Inner Time/Outer Time, with Sam Dunscombe on Plasmatic Music, Vol. I (Mode Records) and Catherine Lamb’s Muto Infinitas with Jon Heilbron (Another Timbre). Born in Melbourne, Australia, Rebecca is currently based in Berlin.
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